Assembled Audience
Out on September 29, 2026!
What does it mean to gather together?” asks Assembled Audience, the seventh collection by award-winning poet Erika Meitner. In these poems, people congregate—over meals, at the beach, in protest and prayer and celebration, through vital acts of witness and collective mourning. Amid instability and peril, embodied gathering is not only a survival mechanism, but a form of resistance.
Our speaker is a peripatetic philosopher, provocative and engaging, both a Cassandra and a Pied Piper who brings us into the urgencies of the present moment: climate change, the pandemic and its aftermath, gun violence, xenophobia, fracking, eroding reproductive rights, and the moralized pressure to “stay present” amid disorder and danger. Over and over, we return to the hard work of existing in the Anthropocene: despite all of our knowledge, everything is perilous, and safety is an illusion.
Brutally honest and lyrically dexterous, fusing Whitman’s generous expansiveness with Erika Meitner’s signature virtuosic electricity and wit, Assembled Audience reminds us that forced optimism and bland platitudes won’t save us—but luck and wonder might.
“Assembled Audience is a tour d’force to treasure. With sharp attention and bright wit, Erika Meitner’s poems gather the good, the bad, and the ugly of our present day and refine what’s assembled into pure and splendid glory. I love this book.” —Camille T. Dungy
“What do you do when a text message lands—’My mom has only weeks to live’? What do you do when the whole ‘planet is on fucking fire’? What do you do when the world feels like a small, leaking boat, and a young kid is bailing water with a basket while the adults shout themselves raw? Enter Erika Meitner—no, not gently: She arrives with poems that throb, that insist, that carry the grit and heat of being alive. They are visceral, yes, but also lucid, tuned, awake to the fact that ‘we are all participating in the passing of time.’ I’ll say it clean: Meitner is one of the most honest and memorable poets of her generation. Her poems dare to hold everything at once—they are expansive without losing their delicacy; they stretch wide without losing their nerve. They move in images because image is an international language. You open the book and it’s all voltage—urgent, tender, life-surging, messy, stubbornly alive. You leave the final page carrying something quieter but sharper: a thinking that hums, a Dickinsonian listening that lingers, a pattern of attention like an ‘echo, chorus, lamentation, hymn.’ It is craft at its most exacting: the knowledge that meaning is always fragile, and that the lyric is the form equipped to hold that fragility, that need for truth.” —Ilya Kaminsky
“I’m always excited for a new book of poems by Erika Meitner, because I know that inside I’ll find questions I hadn’t thought to ask myself, ideas I’m grateful to have articulated, and images I won’t be able to shake from my brain. Assembled Audience has all of that and more. These poems are deeply generous to the reader, serious and playful, alchemizing and liberating.” —Maggie Smith
“Assembled Audience is the work of an artist at the top of her game. Meitner takes us from large philosophical concerns to the immediate and tangible demands of the present, and she does so with a sense of humor, with moving laments, and with a stubborn resistance to forces that would prefer she (and many others) would keep from singing. Whether she is writing as a mother, an observer of wildlife, a documentarian of human disaster, or an active audience for the art of others, Meitner crafts lines of unmistakable power: ‘I refuse to be intimidated by time.’ To encounter such utterances—and such a poet!—is a joy and inspiration.” —Heather Christle
Though the question of “what time has wrought” is central to the vivid and companionable latest from Meitner (Useful Junk), her speakers do not restrict themselves to any one past: “there is no/ reverse, and yet we live in many eras at once.” The poet’s wide-ranging eye for detail brings these eras alive—fossils on the beach, a group text with fellow grandchildren of Holocaust survivors, a Bed Bath & Beyond that… “just reopened// as a Halloween City”—inviting the present to connect with its myriad histories….Meitner is unafraid to square up against the greatest collective challenges, addressing ongoing ecological destruction and the plight of immigrants in a post-Covid world: …But her final note is a hopeful one: “despite the drought… the ground/ is still bursting with a riot of purple and yellow and white.” Bursting with energy, this is a deeply resonant collection. —Publishers Weekly, starred review